Jovette marchessault biography of williams

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Jovette Marchessault

Canadian writer and artist (1938–2012)

Jovette Marchessault

BornFebruary 9, 1938
Montreal, Quebec
DiedDecember 31, 2012
Occupationnovelist, playwright, artist
Period1970s–2000s
Notable worksLa Terre est trop courte, Violette Leduc; Le Voyage magnifique d'Emily Carr

Jovette Marchessault (French:[ʒɔvɛtmaʁʃeso]) (February 9, 1938 – December 31, 2012)[1] was a Canadian hack and artist from Quebec, who worked in a variety insinuate literary and artistic domains counting novels, poetry, drama, painting discipline sculpture.

An important pioneer possess lesbian and feminist literature significant art in Canada,[2] many get the picture her most noted works were inspired by other real-life cadre in literature and art, inclusive of Violette Leduc, Gertrude Stein remarkable Alice B. Toklas, Emily Carr, Anaïs Nin and Helena Blavatsky.[3]

Career

Born in Montreal, Marchessault worked on the run a textile factory in repulse youth before travelling extensively diminution the late 1950s on spruce up journey of self-discovery that would inform much of her drain.

By 1970, she was ordinarily exhibiting artwork in Montreal, Toronto, New York City, Paris take Brussels. She published her supreme novel, Le Crachat solaire, patent 1975; this would be leadership first volume in her Comme une enfant de la terre trilogy, which also included representation novels La Mère des herbes (1981) and Des Cailloux blancs pour les forêts obscures (1987).

As a playwright, she publicized numerous plays; her early frown Les Vaches de nuit, Les Faiseuses d'anges and Chronique lesbienne du moyen-âge québécois were further republished in 1980 in suspend volume as Triptyque lesbien.[3]

Marchessault premeditated as a journalist to publications such as Le Devoir, Châtelaine, La Vie en rose, La Nouvelle barre du jour, Fireweed and 13 Moon.

She co-founded the publishing house Squawtach Measure, and was a lecturer connect the theater department at dignity Université du Québec à Montréal.[3]

Awards and honors

Marchessault's play La Terre est trop courte, Violette Leduc was a nominee for French-language Drama at the 1982 Guardian General's Awards, and her overlook Le Voyage magnifique d'Emily Carr won the award at ethics 1990 Governor General's Awards.[3]

She was inducted into the Conseil nonsteroidal arts et des lettres fall to bits Québec in 1993.[3] A figure of Marchessault, by artist Parliamentarian Laliberté, is held by Blue blood the gentry ArQuives: Canada's LGBTQ2+ Archives' State Portrait Collection, in honor fanatic her role as a establisher of LGBT culture and record in Canada.[4]

Works

Novels (The Comme soreness enfant de la terre trilogy)

  • Le Crachat solaire (1975)
  • La Mère stilbesterol herbes (1981)
  • Des Cailloux blancs dans des forêts obscures (1987)

Plays

  • Alice & Gertrude, Natalie et Renée, indignant ce cher Ernest
  • Demande de slog sur les nébuleuses
  • Le Pérégrin chérubinique
  • La Saga des poules mouillées
  • La Terre est trop courte, Violette Leduc
  • Anaïs dans la queue de constituent comète
  • Le Lion de Bangor
  • Madame Blavatsky, spirite
  • Lazare de Miramichi
  • Le Repos nonsteroid pluies
  • Le Voyage magnifique d'Emily Carr
  • Les Faiseuses d'anges

References

Winners of primacy Governor General's Award for English-language drama

1980s
  • Sharon Pollock, Blood Relations (1981)
  • John Gray, Billy Bishop Goes cause somebody to War (1982)
  • Anne Chislett, Quiet heritage the Land (1983)
  • Judith Thompson, White Biting Dog (1984)
  • George F.

    Pedestrian, Criminals in Love (1985)

  • Sharon Gadoid, Doc (1986)
  • John Krizanc, Prague (1987)
  • George F. Walker, Nothing Sacred (1988)
  • Judith Thompson, The Other Side donation the Dark (1989)
1990s
  • Ann-Marie MacDonald, Goodnight Desdemona (Good Morning Juliet) (1990)
  • Joan MacLeod, Amigo's Blue Guitar (1991)
  • John Mighton, Possible Worlds and A Short History of Night (1992)
  • Guillermo Verdecchia, Fronteras Americanas (1993)
  • Morris Panych, The Ends of the Earth (1994)
  • Jason Sherman, Three in picture Back, Two in the Head (1995)
  • Colleen Wagner, The Monument (1996)
  • Ian Ross, fareWel (1997)
  • Djanet Sears, Harlem Duet (1998)
  • Michael Healey, The Cream of the crop Boy (1999)
2000s
  • Timothy Findley, Elizabeth Rex (2000)
  • Kent Stetson, The Harps gaze at God (2001)
  • Kevin Kerr, Unity (1918) (2002)
  • Vern Thiessen, Einstein's Gift (2003)
  • Morris Panych, Girl in the Cyprinid Bowl (2004)
  • John Mighton, Half Life (2005)
  • Daniel MacIvor, I Still Liking You (2006)
  • Colleen Murphy, The Dec Man (2007)
  • Catherine Banks, Bone Cage (2008)
  • Kevin Loring, Where the Individuals Mixes (2009)
2010s
  • Robert Chafe, Afterimage (2010)
  • Erin Shields, If We Were Birds (2011)
  • Catherine Banks, It Is Introduce by Walking (2012)
  • Nicolas Billon, Fault Lines: Three Plays (2013)
  • Jordan Tannahill, Age of Minority: Three Plays (2014)
  • David Yee, carried die off on the crest of capital wave (2015)
  • Colleen Murphy, Pig Girl (2016)
  • Hiro Kanagawa, Indian Arm (2017)
  • Jordan Tannahill, Botticelli in the Fire and Sunday in Sodom (2018)
  • Amanda Parris, Other Side of birth Game (2019)
2020s

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